As explained in my research, I decided I would make poseable models to help with the character proportions and lighting. This section explains the process of making the models, and what I did with them to help with the film.
Models
Pattern
Hover over image and click the arrows to flick through my notes.
I decided to create the models using fabric, stuffing and armature
wire. However, I am not a seamstress. I have never sewn anything
in my life. My mom, on the other hand, has created clothes that were worn on a runway. So I asked for her help. Together we worked out the measurements to create the patterns for each part of Dolly. At first we made a little model of her as a test run. When that worked, we created Dolly and Knit models to scale relative to the other props.
Process
Once the patterns were measured out, they had to be cut out and pinned to the fabric. We then cut around the fabric and sewed the seams. I cut and twisted the wire to make the models poseable. We then put the pieces together, stuffed them and sewed the models closed. I did my best with the models but I could not have done it without my mom, especially the tricky sewing sections. This is why she rightfully gets named in the special thanks section of the film’s credits.
Hover over image and click the arrows to flick through my notes.
Pictures
Once I had made the models, there were a couple of other props still to make. This includes the window and clock I made from cardboard, and Cammi which I made from a box of medicine and scrap cardboard. I then followed my story board, posing the characters in my own attic and photographing them.
Videos
I also took a few videos while I was there, to get a better grasp of
how certain elements would look in motion. Some worked better than others as you will see. Sometimes the props did want to stay put. I also attempted rocking the horse with my foot while filming. This did not work very well, so I once again asked my mom to help out.
Thanks mom.